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I’ve been exploring photography and developing my style since 2017, by doing both digital and film photography. Niche focus area is more into film photography and cameraless photography to challenge the modern silver era. I still shoot mini events and wedding receptions sometimes, sharing joy and providing a valuable keepsake, using a blend of tools—my film camera and my trusty, albeit outdated, DSLR. The transition from simply entering the creative space to fully engaging with the visual arts environment through incubation and mentorship is when things got serious. This demand for material honesty quickly became practical, forcing me to find alternatives and be intensely resourceful when securing project funding is not an option. I self-identify as a DIY auto deduct or interdisciplinary artist, flexible enough to work with almost any medium. Here is the major though, when the photograph isn’t a photo anymore rather than just an impermanence digital carousel catalogue far away before the robot exists, I’m challenging the landscape by leaving the trace to revive the essence of mood, mono color, even the juxtaposition between intersect creative space itself. Not just visually but includes sensory. My process is fueled by resonating the raw impressions from my observations, feelings, and senses into whatever medium fits either visual, sculptural, or soundscape whose core method is a radical practice driven by anti-rigid resistance. The feeling is the project; the tool is just the means.
Existing experience drowned me into experimental waters, evolved beyond conventional framework, how to handle the real matters or dialogues, and what to do with the photograph ecological mostly as expressionists canvas. I deliberately choose analog photography and unconventional media as an endless site for experimental learning and thesis. I don't prioritize polished technique instead of honesty. This quest stemmed from a personal 'zen': understanding the chemistry and the core truth of how the photograph was consumed and how it will be alive in between the next legacy. I am not the first or the pioneer, but my curiosity will do all the necessary work. Every output is harvested and improvised from the immediate, sensory reality of my practice, from the mechanical clatter of the shutter click and film winder to the hushed, chemical quietude of the darkroom’s red light. My exploration extends further by drawing on field recordings to create immersive soundscapes. Whether it's the intimate sound of the camera or the sonic environment captured in the field, these textures become the raw material for my impressionism, embodying the grief and sensory experiences that speak by integrating everything surrounding them.
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